"Alexandre Sènou Adandé" Ethnographic Museum
(Benin)


The "Alexandre Dumas" School of Foreign Languages
(Bulgaria)


Burkina Faso Cultural Heritage Branch
(Burkina Faso)


The Museum of Art and Archeology of the University of Antananarivo
(Madagascar)


National Museum of Mali
(Mali)


St. Boniface Museum
(Manitoba, Canada)


Andalusian Study and Research Centre
(Morocco)


Musée acadien de l'Université de Moncton
(New Brunswick, Canada)


World Music Research Laboratory
(Quebec, Canada)


Canadian Museum of Civilization
(Quebec, Canada)


Museum of the Romanian Peasant
(Romania)


The Arab and Mediterranean Music Centre
(Tunisia)

THE caval (end-blown flute)

the caval (end-blown flute)
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Note Book
The caval (end-blown flute)
1998
Wood
Le : 76 cm.
Max diam . : 3.5 cm

Museum of the Romanian Peasant


The caval is an aerophone instrument of Balkan farmers, especially shepherds. It can be found throughout in the south east (Wallachia, Oltenia, Moldavia) as well as in the mountains of central Romania. The caval is a big straight flute (approximately 80 cm long) made of ash, cherry or plane wood. It consists of a tube partially closed at the top by a cork (dop) with five finger holes and a rectangular mouth hole (vranã) on the opposite side.

Farmers make the caval in a number of sizes. The one in the photo is an average size, about 76 cm in length. Recently, the caval has been tuned to an F-scale to make it easier to play in folk music groups.

The caval can produce from two to four or five partial sounds simultaneously. Its hoarse, soft and expressive tone is sometimes imitated by violinists who play "like the caval". Its instrumental effects include changing pitch in the same piece (by blowing harder) and playing in parallel octaves (on the first and second harmonics).

When playing the caval, the musician produces a throaty sound: "in tune" and stable in relation to the melody (in Oltenia) or of an undetermined and fluctuating pitch (in Wallachia and Moldavia, like the recording here). The caval can easily play complex melodies that are highly ornamented with appogiatura, mordents, trills, small glissandi and tremolos. Its rich and varied repertoire includes long songs (doinã), lyric songs in instrumental versions, dance tunes and the instrumental poem "The shepherd who lost his sheep".


C.M.