"Alexandre Sènou Adandé" Ethnographic Museum
(Benin)


The "Alexandre Dumas" School of Foreign Languages
(Bulgaria)


Burkina Faso Cultural Heritage Branch
(Burkina Faso)


The Museum of Art and Archeology of the University of Antananarivo
(Madagascar)


National Museum of Mali
(Mali)


St. Boniface Museum
(Manitoba, Canada)


Andalusian Study and Research Centre
(Morocco)


Musée acadien de l'Université de Moncton
(New Brunswick, Canada)


World Music Research Laboratory
(Quebec, Canada)


Canadian Museum of Civilization
(Quebec, Canada)


Museum of the Romanian Peasant
(Romania)


The Arab and Mediterranean Music Centre
(Tunisia)

The Hurdy-Gurdy

Hurdy-Gurdy
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Note Book
Hurdy-gurdy
St-Marc sur le Richelieu, Quebec
1990-1991
Tumbleweed, maple, spruce ivory, bone gut, steel, leather, brass
23.5 x 76 x 39 cm
Canadian Museum of Civilization, Canada



The hurdy-gurdy can be found throughout the whole of Europe including France, Germany, Hungary, Italy, Poland and Scandinavia as well. Daniel Thonon made this hurdy-gurdy after an 18th-century French model. The case is said to be in "toad" style. The shape and head especially recall the Arab style that was very popular at court where courtiers liked to dress up for parties as sultans or princesses.

The hurdy-gurdy is a chordophone whose sound is often compared to the bagpipe, mainly because both have a bourdon or drone. The drone is a continuous note that can be heard as the musician cranks the handle with his right hand making the wheel turn so that it scrapes a string continuously until the melody stops. The musician uses his left hand to press the keys that play the melody.

We know that Leopold Mozart, father of Wolfgang Amadeus, composed several pieces of music for the hurdy-gurdy.